In satirical paintings that blur the barrier between analogue and digital production, Avery Singer combines early internet aesthetics with elements of constructivism, futurism, and cubism. The artist first utilises 3D modelling software to construct blocky, greyscale figures, scenes, and abstract geometries before airbrushing her creations onto canvas with computer-controlled printers.
Singer develops her distinct image through the juxtaposition of unexpected accessories that appear to be a combination of humans and cyborgs.